Trong Gia Nguyen

Biography

Trong Gia Nguyen (born 1971, Saigon, Vietnam) is a multi-disciplinary artist known internationally for his diverse body of works that often examines structures of power in their myriad forms, making attempt to scrutinize the soft foundation upon which contemporary life plays out, often behind the façade of fairness, sincerity, tradition, and civility. Regularly employing humor while at other times engaging sober reflection, Nguyen's work elevates the condition of doubt as it reveals and disrupts the undercarriage of our most trusted spaces - domestic, cultural, political, and economical. Nguyen's work includes everything from iPhone applications (Metaphysical GPS) to installation, film, painting, sculpture, performances, and web-based projects.

 

Nguyen received his MFA in Painting at the University of South Florida, and has exhibited widely over two decades in the US and abroad, with recent solo shows including In Perpetuity, La Patinoire Royale/Galerie Valerie Bach, Brussels, Belgium (2022); Foibles of a Reconstruction, NON Berlin, Berlin, Germany (2021); The Last State, Richard Koh Projects, Bangkok, Thailand (2018); and My Myopia, Cornell Museum of Fine Arts, Orlando, FL, USA (2018); Dogg Days, Jacki Headley University Art Gallery, Chico, CA, USA (2018). Notable group exhibitions include Where the Sea Remembers, The Mistake Room, Los Angeles, CA, USA; There'll Never Be a Door. You are Inside: Works from the Teixeira de Freitas Collection, curated by Luiza Teixeira de Freitas, Santander Art Gallery, Madrid, Spain; Gun Shy, Artspace1616, Sacramento, CA, USA; 2017 California Pacific Triennial: Building As Ever, Orange County Museum of Art, Newport Beach, CA, USA; The Book Lovers, Museum of Contemporary Art, Antwerp, Belgium; ART STAYS 2012, 10th Festival of Contemporary Art, Ptuj, Slovenia; Telefone Sem Fio: Word-Things of Augusto de Campos Revisited, EFA Project Space, New York, NY, USA; The Sixth Borough, curated by No Longer Empty, Governors Island, New York, NY, USA; Satellites in the Night, Freies Museum Berlin, Berlin, Germany; Power to the Brand, curated by Bosko Boskovic, Museum of Contemporary Art of Republic Srpska, Banja Luka, Republic Srpska; Once Upon a Time, curated by Chen Tamir and Jean Barberis, ISE Foundation, New York, NY, USA; Sequences Real Time Festival, Dwarf Gallery, Reykjavik, Iceland; 9th Havana Biennial, Fortress of the Three Kings, Havana, Cuba; Float, Socrates Sculpture Park, Long Island City, NY, USA; and Waterways, a collateral project of the 2005 Istanbul Biennial, curated by Renee Vara, Istanbul, Turkey.

 

Nguyen has received awards and residencies from the Museum of Arts & Design (New York), Villa Empain/Boghossian Foundation, Gate 27, Artist-in-Residence in the Everglades, LegalArt Miami, Foundation for Contemporary Arts, Lower Manhattan Cultural Council, Harvestworks Digital Media Center, Bronx Museum of the Arts, and Puffin Foundation, among others.

 

Nguyen lives and works in Brussels, Belgium.
Works
  • Trong Gia Nguyen, In Case Of Wokeless Nights, 2023
    Trong Gia Nguyen
    In Case Of Wokeless Nights, 2023
    3D printed firearm components found on the dark web, wood frame, upholstery, etched plexi
    27 x 45 x 10 cm
  • Trong Gia Nguyen, Dahl: Charlie and the Chocolate Factory (first chapter), 2022
    Trong Gia Nguyen
    Dahl: Charlie and the Chocolate Factory (first chapter), 2022
    etched acrylic, rice kernels, ink
    144 x 90 x 11 mm
  • Trong Gia Nguyen, Irving: The Legend of Sleepy Hollow (postscript), 2022
    Trong Gia Nguyen
    Irving: The Legend of Sleepy Hollow (postscript), 2022
    etched acrylic, rice kernels, ink
    140 x 95 x 12 mm
  • Trong Gia Nguyen, Ovid: Metamorphoses (Orpheus and Eurydice), 2022
    Trong Gia Nguyen
    Ovid: Metamorphoses (Orpheus and Eurydice), 2022
    etched acrylic, rice kernels, ink, acrylic paint
    130 x 110 x 11 mm
  • Trong Gia Nguyen, Plath: Colossus (complete poem), 2022
    Trong Gia Nguyen
    Plath: Colossus (complete poem), 2022
    etched acrylic, rice kernels, ink
    140 x 95 x 10 mm
  • Trong Gia Nguyen, Spiegelman: Maus (first chapter), 2022
    Trong Gia Nguyen
    Spiegelman: Maus (first chapter), 2022
    etched acrylic, rice kernels, ink, acrylic paint
    140 x 95 x 12 mm
  • Trong Gia Nguyen, Tocqueville: Democracy in America (Chapter 19, 2310 words), 2022
    Trong Gia Nguyen
    Tocqueville: Democracy in America (Chapter 19, 2310 words), 2022
    etched acrylic, rice kernels, ink, acrylic paint
    145 x 85 x 12 mm
  • Trong Gia Nguyen, Woolf: The Lady in the Looking Glass (complete, 2222 words), 2021
    Trong Gia Nguyen
    Woolf: The Lady in the Looking Glass (complete, 2222 words), 2021
    etched acrylic, rice kernels, ink
    140 x 95 x 13 mm
  • Trong Gia Nguyen, Andersen: The Red Shoes (complete work), 2020
    Trong Gia Nguyen
    Andersen: The Red Shoes (complete work), 2020
    etched acrylic, rice kernels, ink
    140 x 95 x 13 mm
  • Trong Gia Nguyen, Calvino: If on a Winter’s Night a Traveler (last chapter) , 2020
    Trong Gia Nguyen
    Calvino: If on a Winter’s Night a Traveler (last chapter) , 2020
    etched acrylic, rice kernels, ink
    140 x 95 x 12 mm
  • Trong Gia Nguyen, Chopin: The Awakening (first chapter, 1011 words) , 2020
    Trong Gia Nguyen
    Chopin: The Awakening (first chapter, 1011 words) , 2020
    etched acrylic, rice kernels, ink
    145 x 97 x 10 mm
Installation shots
Press
Art Fairs